We used in our sessions artificial lightning and smell and unothodox positioning of our loudspeakers in the music halls,
in order to reach all human senses, and so we achieved a real "musical feeling" in our audience, which transceided the borders of sound listening and so we created a sort of couscience expansion in our fans.
Retroperspective, I realized that we uncousciously installed psychoacoustic techniques in those days.. 1972
We used in our sessions artificial lightning and smell and unothodox positioning of our loudspeakers in the music halls,
in order to reach all human senses, and so we achieved a real "musical feeling" in our audience, which transceided the borders of sound listening and so we created a sort of couscience expansion in our fans.
Retroperspective, I realized that we uncousciously installed psychoacoustic techniques in those days.. 1972
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