Chase your dreams and don't ever give up. The road ahead is long and hard, but don't let that dissuade you from trying. Even if you shoot for the moon and miss, you'll land amongst the stars.
The thing that stands out to me the most about this is the timing within the beat of some of the rhythmic elements, like the pumping effect on the pad. As it is, the release on that sidechain compression feels like it's almost on some subdivision of the beat but just a little early, which makes it feel a bit frantic. Holding that just a hair longer would help a lot.
Another thing that jumps out is that when you use really spicy chord substitutions like at
3.00
, you run the risk of that clashing with the reverb hanging over from the previous chord. This is not an easy thing to solve in Audiotool. The solution probably involves running every other chord through its own blending effects and carefully mixing the transitions... But even that might not sound great.
Very full sound and as the name says pretty dreamy :) If you like to send it to labels one day you should reduce your use of stereo enhancers. They are not good for professional mastering for club music. I hardly use them at all any more