I still am just amazed at this. Let's just ignore the technical aspect. If you remove that aspect entirely, you still are left with some of the best composition to even exist. Not just on Audiotool, but in the entire industry. It is perfectly tense, perfectly calm, perfectly interesting, perfectly full, perfectly long, etc. The sounds are beautiful in their mourning, beautiful in their sorrow, beautiful in their loneliness. I will love this song until the day I die.
that third sentence is so true though... over the years my attention shifted away from the technicalities of this and more to the feeling of astronomical lonesome this track radiates
If you think about it, producing on audiotool has gotten less and less creative with what you can do with its limitless possibilities, and people try way less. That's the majority of the people.
The sounds are coming from the delays.. If you slap enough of them on a sound, at the right bpm, you can make the delayed automation and note tracks come in 1 or so minutes later, as the main lead is still playing. It's really wacky, and I'm not quite sure how it works to the full extent. It's really cool though. You should study the draft, and maybe you'll figure it out for yourself xd