I have done some more testing and I've gotten some valuable info.

For cleans, at least for me, only one mic has to record, by that I mean that at every placement location the clean tone sounded the same.

For distortion, I may need 2 to 4 mics or recordings. The two main placements are at the centre of the speaker for a more trebly sound and a bit lowered, so that it's facing up a bit to be pointed at the speaker, for a more thick or bassy sound. For more roominess there could also be a room mic and for some weird frequencies a mic could be placed higher on the speaker, so that it's facing down a bit for it to be pointed at the speaker.

These tracks could also be used as sort of a tribute song for Technoblade. Fly high man, and rest easy. For that reason I also switched the places of the clean and distortion tracks (I tested distortion before clean), so that it could serve as sort of a song demo as well, or a song's sprout.