Interesting
Kraftwerk? Or not? In any case, it seems to me that this is pretty nice electronics about the corridor in my apartment, which is, although a bit eerie, but quite peaceful and safe place.
Andrew Ovdiel, 2018, March.
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The melodics are really cool in this. You even managed to use that one vocal sample that is horrendous, yet it fits so well in here. ..But there's a ton of things that are holding this track back. There are some harsh peaks on most of the synths, phasing issues, and extremely stereo frequencies in this. The Curve EQ could really benefit this track. I feel like the "hey" chants don't really fit, but that's my preference. I can go over much more stuff in this track if you have a discord
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5. of course, tell me - but please, in simple language, otherwise Google translator will go crazy, and I won’t understand anything in Russian translation 80)
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3. usually the sound engineer on my label does the mastering for me, so I don’t understand such things, alas ... TT
4. "hey" screams were added in a desperate attempt to saturate this mix with as many vocals as possible. not all the samples came up in tonality (and I have it strictly with this, with the exception of jazz semitones), so only what got into the public version fit in. besides, it's a hint of electro hip-hop, or something... I also indulge in mmj with the same samples, it hurts that
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1. I wanted to make a melody, like a ghost with a motor from a Soviet cartoon: scary, but cute. after all, this composition is about my imaginary fears, and not about some terrible phenomenon, so I did not begin to catch up with soot. X0)
2. what is this sample? 0_o Female vocals, or what? in my opinion, he is very handsome and even sexy, if you are talking about him ...
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Republished
Replace strange vocal lines on normal harmonical vox and rhythmical rap, setting up mixer and effects, deleting dissonance sound events from sequencer time line...
