back with another oneshot-turned-pad (this time in 3/4, not that it makes much difference in an ambient track).
Everything in this is made from the same oneshot, not just the pad.
.
Not particularly good, quick one day project so that I actually publish something!
The sample I used was ARW.Snare_20 and the other samples are just timeline bounces. The pulv is there for envelope control of the pad using the pulvs "audio in" feature.
Coming back here because it sounds amazing, regardless of the method of production. I'll study this because I really need to learn how to make dynamic, huge reverb pads.