Tried making a techno but ended up doing what I always do. This track focuses on Shepard tones, featuring a multi-octave main synth and a Shepard-Risset glissando pad.
Cover is Ren-ai Roundabout with shitty cheesy effects. The "spokes" of the wheel are there because I used a sine function to set octave volumes for Shepard tones; evenly spaced spokes will have endpoints that average to the center of the circle, meaning that total amplitude remains constant as the Shepard tone is rotated.