Made In 3 hours.

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  • slide lol

  • Repeating notes with a fast high hat, with added clap, start off with a good groovy vibe. Adding a high hat and a deep repeating low beat, keep the sound moving along.

  • I absolutely love this style of repetitive & minimal house. I could listen to this on a loop for hours!

  • congress how far you made it

  • Unz unz unz unz

  • Nice tune my man for realz. Jammin over here I see. Got me headbangin homie LOL..

  • awesome man

  • I got kind of bored listening to this because the only thing that really changes in the composition are the drums. It's very monotonous. Also the notes or chords don't sound bad but they are very bland. This needs a lot more variety as far as melodies and chords go.

    • Thx!!!

      But the Pad is through the machine and it is difficult to concentrate something in one place.

  • Awesome minimal house vibe!

  • It is too dry bro and this open hat sample is basic af. Except than that I really like the panned hi hats and your kick is thick and cool. There’s some good material here.

    Chords pattern is always the same tho. Try to mess with lfo automations, and a bit of variation would enhance the vibe and make surprise. I would add some compression and sidechain also to make the track more groovy. Nice job.

    • but where I make the pad is through the machine and it is difficult to focus so many sounds through the same place.

    • Thx!!!

    • Never mind lol, I’ve just noticed the « made in 3 hours «  disclaimer ahahaa

      Nice track bro ;)

  • i love those TR machines, a lot

  • .gif

  • not that bad, but try to make it more variated. now it's like listening the same parts over and over again (or, it's too simple)

  • Pretty nice, I like the pulsing ambience.

    The shaker that's panned right is too far right. It's a bit distracting and would get lost on a stereo set of speakers if someone wasn't sat in the center.

    A little more variation would be useful to keep the listener engaged - even if it's just a few ear candy blips, or tinkles that move around and come and go on occasion. Similarly you need to utilise the breaks as a way to build the energy back up into the main sections of the track.

    • You could also do with removing some of the mud around 250-350Hz, and utilising a sub to let that bass really roll forward and hit the listener in the chest. Dancefloor bangers like this need to be felt, as well as heard :P

  • very nice sounddesign :~)