You mean the synth that plays the harmony throughout? I'd use Space for this. Try a sound with a low number of harmonics, close to a sine wave, with low brightness and dispersion. Be sure to detune/pitch shift it in the master section for the wide, stereo effect. You might need to layer this base sound with a brighter one on top with a faster decay, to create the sparkling attack.
The tape-like (lo-fi) effect can be achieved with a band-pass filter with a slight resonance. I'd try to add a WaveShaper to limit the max amplitude. This adds a non-linearity that is typical for magnetic recordings.
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And also, if you can. Can you explain what destination on the pulerisateur does? Thanks.
You mean the synth that plays the harmony throughout? I'd use Space for this. Try a sound with a low number of harmonics, close to a sine wave, with low brightness and dispersion. Be sure to detune/pitch shift it in the master section for the wide, stereo effect. You might need to layer this base sound with a brighter one on top with a faster decay, to create the sparkling attack.
The destination buttons select what will be modulated with the LFO: the oscillators pitch, the filter cutoff frequency or the pulse with modulation amount. Here is an explanation: https://www.manula.com/manuals/audiotool/audiotool-user-manual/1/en/topic/devices-pulverisateur-modulators-section
The tape-like (lo-fi) effect can be achieved with a band-pass filter with a slight resonance. I'd try to add a WaveShaper to limit the max amplitude. This adds a non-linearity that is typical for magnetic recordings.