is it linear phase? for the longest time i saw when i highpassed my sounds they got louder instead of quieter and that never made sense. i see in a yt vid that with phase issues the daw reads the loudest part of the waveform so if it's offset..... i hope im getting this right. highpassing he said does that.
Maybe I misunderstood this principle but I thought linear phase EQ`s are only of importance for audio recordings with several microphones to the same sound source, because this causes a phase delay of the signals in the sum?
Another reason might be the production of flanging/phaser effects which should sound different with those filters. And in theory there might be audible differences as well. Wikipedia states "Grossly changed phase relationships, without changing amplitudes, can be audible but the degree of audibility of the type of phase shifts expected from typical sound systems remains debated" in "Phase distortion"
They also introduce audible delays. I really doubt he needs this type of filter.
I agree that this might be unnecessary, or very low priority. Phase artefacts by zero/minimum latency EQ (the common one) are usually negligible. And some mixing engineers dislike the "characterless" equalisation from linear phase EQs. I think they're useful only in multi mic recordings as stated above or for subtle transparent changes in mastering.
Comments (38)
why not just use Curve? or are you trying to replicate curve?
is it linear phase? for the longest time i saw when i highpassed my sounds they got louder instead of quieter and that never made sense. i see in a yt vid that with phase issues the daw reads the loudest part of the waveform so if it's offset..... i hope im getting this right. highpassing he said does that.
highpassing is only letting the high frequencies be audible... lol
yeah but for some reason the sound is read as louder. if i'm wrong please explain.
screenshot what setup you have
not in a setup rn and it's not really something i can screenshot either it's something i do
highpassing makes the sound read as louder
if i have a illegally compressed master and i highpass, it gets louder
read? you can only hear sounds not read them
no the audio meter will read it as louder the compressor will read it as louder
is this the setting you put in for highpass?
https://www.youtube.com/watch?v=lTouH49Mz_I 15:27 - 17:57
no i use an actual highpass not a lowshelf
that IS a highpass
in a way ig
between -40db (shelf) and 48db/oct(highpass) its kinda hard to tell
click on that first button at the bottom
that's a highpass
i give up my dude you are giving me random information and you do not make your points very clear
let me clarify
the first button at the bottom click it that is a highpass
the lowshelf turns it down. the highpass turns it down, but rolls it off
ah whatever
forget it
bUT IT's the same if it's at the complete bottom rEEEEEEE
kinda
idk maybe the highpass stops somewhere
imma read up
it goes to 96 db max, plus the actual lowpass thing stops at 96 too
curve only has 48
wait they updated it?
o nvm
wait you mean that highpass filters stop at 96db?
good to know
AFAIK we don't have a linear phase filter. What do need this property for?
Maybe I misunderstood this principle but I thought linear phase EQ`s are only of importance for audio recordings with several microphones to the same sound source, because this causes a phase delay of the signals in the sum?
Another reason might be the production of flanging/phaser effects which should sound different with those filters. And in theory there might be audible differences as well. Wikipedia states "Grossly changed phase relationships, without changing amplitudes, can be audible but the degree of audibility of the type of phase shifts expected from typical sound systems remains debated" in "Phase distortion"
They also introduce audible delays. I really doubt he needs this type of filter.
I agree that this might be unnecessary, or very low priority. Phase artefacts by zero/minimum latency EQ (the common one) are usually negligible. And some mixing engineers dislike the "characterless" equalisation from linear phase EQs. I think they're useful only in multi mic recordings as stated above or for subtle transparent changes in mastering.