Trying to work with triplets in automation regions makes the snapping behave strangely and unpredictable.
The lines marking triplet snapping are quite hard to see on certain monitors, contrast wise.
You can also say they easily get lost among the marking lines for the current project's time signature, should both of them be visible at the same time?
I'd like the marking lines for the selected time signature to have higher contrast to make it easier to discern snapping.
https://drive.google.com/file/d/1bPfoSWxeXdTWRDyJhsGpqrxyT2iHO0cz/view
Comments (4)
Can I propose a button that toggles between actual and relative (and/or both) snapping?
Is this how it used to be? Even knowing it works that way I find it kind of unintuitive.
Because the way it is now:
if I want a notes in a note region that has been placed in triplets to go back to standard time signature, I have to move every single note to the beginning or the end of timeline region because it's the only place it will snap in standard timing
edit: this might be wrong, I've only tested it with the automation track, which is what caused frustration. It is still true for the automation track but let me test again
Okay so I apologize for speaking first and testing later.
With note tracks snapping does work as it should going from triplet snapping to regular snapping. The automation track behaves differently though, and behaves as described earlier and shown in the video.
I won't be able to test for the next 24h or so but I'll happily let you know once I get to it :)